The Sixth Sense
The scene is
set when there is a car accident and mother and son are caught up in the
traffic behind. This is stereotypically a thriller setting as it is something
that could happen every day, but what isn't normal are the things Cole, played
by Haley Joel Osment is seeing. Cole decided to tell his mother played by Toni
Collette, that he is 'ready to communicate now'. This is an extremely unusual
thing for a child to be saying, making us think that he is about to say something emotional and serious. He goes on
to make very emotional comments to his mother regarding his grandmother and
things that are happening to him. This
is extremely abnormal and upsetting for his mother
In my opinion I feel that the camera work is
very typical of a thriller, this is done to show setting slightly, detailed
emotion and an emotional connection with what is going on. In this scene you
can see from the expression on Cole's face that something more serious than his
mum missing the play is on his mind. The first camera shot is a mid shot from
outside the car, giving us sense of location and situation. Another of the
shots that are used in this scene are almost point of view shots, focussing on
each character, what Cole is saying and how his mum is reacting. These are very
simple shots and they have not over complicated it because in this particular
scene it is not about complicated shots. It is about simplicity so the viewers
attention is on what Cole is saying and how his mother is reacting. The camera
is almost always at eye level, again bringing us into the conversation and
making it seem more realistic, very conventional of a thriller. Another shot that takes place is allmost the womens point of view shot, this shows Cole and the lady that died up ahead in the accident, by his window. This shows us as the audience that what he is saying is true.
The sound is diegetic of them speaking but it
is non-diegetic of the car and city sounds in the background, this is done
to make the scene much more realistic and make sure that we as the viewer
believe what is happening and the setting to be realistic, this is key, especially
for a thriller as they are conventionally set in a realistic city environment
The editing
of this scene is very simple. This is unconventional editing for a thriller, as
it is normally fast paced, but in this scene it is about what is being said,
that is what they want the viewer to be concentrating on as it is a highly
emotional conversation. This also helps create tension, but very slowly you can
feel that after this scene something is going to happen.
Terminator
In this
scene the terminator is searching for Sarah Connor, he proceeds to walk into
the bar, walking in straight robot like lines, not moving for anybody which
could later cause him trouble. He is searching for her in the bar, looking
around until he spots her sat alone at a table, in which one of Sarah Connors
friends sees from the look in Terminators eyes what is about to happen. Her
friend then pulls out a shotgun and attempts to kill terminator.
The camera
shots in this scene are not conventional of a normal thriller, when terminator
is entering the bat the camera is set behind a cage, making us immediately feel
that something is going to happen, it almost gives us a protective barrier that
we become to feel me might need. The camera then tracks in front of the
character, showing he is the main, dominant character. The camera is kept eye
level like in a lot of scenes in a lot of thrillers, this is done to make you
feel a part of the scene and action, especially as the camera is going away
from terminator it makes the viewer feel like we are walking away from hi,
giving us the feel of being intimidated by him. We as the viewer seem to think
that the characters are helpless, this
could be reinforced by the fact that no point of view shots are included. We
also feel like Sarah Connor is helpless when the camera is looking down on her
from a high angle, making her seem helpless, inferior and unprotected. The
sound that is used in the scene in mostly non-diegetic, the music that is
played throughout the scene is non-diegetic, this is proven as when it goes
into slow motion the music is still normal paced, this could be done to keep
tempo high. Another thing that will have been added is the sound of the shotgun
and the sound of knuckles cracking. The setting being
in a club is also conventional for a thriller as it is in a realistic venue.
The club is dark, this is conventional for a thriller,
giving it a eerie and mysterious kind of feel. The dark and a slight amount of
smoke also helps hides somebody's identity.
In comparison
In comparison I think that although both these movies
are classed as thrillers, they are not completely conventional, they both have
their own twists and emotions. One thing that is similar in these two scenes
and used a lot in thrillers is that the camera is kept at eye level helping us
interact and the use of mid shots and close up to show emotion and reaction
have been used in both scenes. They both use non-diegetic and diegetic sounds,
the sixth sense is mostly diegetic but the sounds of traffic and the city may
have been put over the top, whereas in terminator the music is mostly
non-diegetic, so are the gun shots etc.
Overall both these scenes are thrillers but with their
own personal adjustments from the directors.
Brilliant work - you have a thorough understanding of the conventions of a thriller and you discuss how the film fits these conventions and how it tries to challenge them.
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